http://www.nytimes.com/2012/12/14/opinion/what-didnt-happen-in-bethlehem.html?ref=contributors&gwh=8A554D59C49B4A120F86B731F3FF0A9C
The
three topics it is considered polite to avoid in a dinner conversation are
money, politics, and religion. Sadly, those three topics not only intermingle
so much that they become inextricable, they are often the most interesting
sources of conversation, but it is also true that the conflict that tends to
arise over those topics often becomes too emotional for a polite dinner.
Religion, especially, is a very personal issue for many people, and directly
insulting or demeaning a person’s religion goes beyond a faux pas and becomes a
personal attack. T. M. Luhrmann,
in his article ‘Hark! The Herald Angels Didn’t Sing’ understands that the issue
he is covering is a sticky one, and deftly avoids stepping on any toes by
keeping his article academic in nature.
The
first indication of this comes in the first paragraph, with a very
sophisticated diction choice. This pattern is continued through Luhrmann’s
entire article, as he follows up ‘transom’ with ‘encyclical’ and ‘lacuna.’ The
density of the words themselves give an indication of the level at which the
article should be read- it is not a casual piece that demands an emotional
response, but one that requires thought and consideration. Even if one were to
try to craft a negative response, Luhrmann uses positive language when
addressing both sides of the issue he is discussing. Rather than painting one
side as right or wrong, he describes the more embellished and imaginative
interpretation of the Bible as ‘enriched’ ‘effective’ and ‘compelling’- all
with positive connotations. To the more literal interpretations, he is less
generous, but because his article discusses why the more vivid experience is
more appealing, it only makes sense. He still respects them, calling their
objections ‘concerns’ instead of using a more pejorative term. Luhrmann’s
choice of words when discussing the issue shows a clear desire to avoid
conflict.
He
also makes his goal clear in the structure of his work. While the introduction
is a lengthy one, not arriving at his thesis until the seventh paragraph when
he explains that ‘anthropology offers some insight into why imaginatively
enriching a text taken as literally true helps some Christians to hang on to
God when they are surrounded by a secular world.’ The next two paragraphs even
use ‘first’ and ‘second’ to introduce themselves as body paragraphs, both with
two analytical guiding sentences at the beginning, and supporting quotes. The
‘claim, evidence, warrant’ format is clearly detectable, and it lends a sense
of credence to his words.
Luhrmann
also has very clear explanations of his background information, providing
details that are not only helpful to bring readers up to speed, but also prove
he has a thorough knowledge of both sides of the issue. He opens with a quick
Cliff’s Notes version of a book written by the Pope discussing the literal
words of the Bible, and ‘that there was neither an ox nor a donkey in the
stable where Jesus was born.’ Luhrmann expresses what would doubtless be the
general response, a sarcastic ‘really’ before continuing his summary and
explaining the Pope’s real message. He also includes quotes from his interviews
with Evangelical leaders and followers alike, explaining their opinion of their
personal connection with God, which he then uses to highlight his own point
that adding personal details, regardless of their correctness, will make a
religion more appealing. While he grants one side more effectiveness, he gives
both arguments equal attention and comprehension, and passes those on to the
reader, who is left to draw their own conclusion based on fact rather than an
initial emotional response.
The
best way to avoid an outcry when discussing a loaded issue is to give each side
an equal voice, and Luhrmann does an excellent job of giving both the literal
and personal interpretations of the Bible their theological dignity. Nowhere
does he try and determine whose interpretation of God is the correct one,
instead choosing a more tangible discourse on which line of thought is most
effective at pulling in and retaining members. While no article is truly
unbiased, Luhrmann’s is, at the least, anti-inflammatory.
Hi Sarah! First off, this is a very detailed and thought provoking piece that you have written, however I am having trouble locating just what the author proves to the reader. You mention that the devices help him achieve his goal but as a reader I am not exactly sure what exactly this goal is. Is his goal to keep the article neutral or is it something specifically regarding religion? I also noticed that you have only used 2 out of the 3 elements of DIDLS that we are required to use. I found the section on diction and a second section covering details, but am not seeing the third element needed. Was this the second paragraph regarding structure, because if so that should be re-worded to indicate what portion of DIDLS the structure focuses on. Other than that this piece is great and I found it to be very interesting to read!
ReplyDeleteSarah, I think you chose a piece with a very interesting topic! Its true that a subject like relgion can be a very sensitive topic. I think you did a good job of showing how the author remains neutral and unbias througout the piece. I agree with Gabriella though that I was confused at what the author was trying to show the reader. I think it would benefit you to talk more about what the article is about and what the authors purpose is. I also didn't see a third example of DIDLS. If there was one I think you need to structure the post so its easy to find!I think you chose a very challenging essay and still did a great job!
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